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HomeGeneralCreative writing - Primer in literary creation by Therése Granwald

Creative writing – Primer in literary creation by Therése Granwald

This book is for anyone who dreams of writing a novel or short story collection. In pedagogically delimited chapters, the basics of how to write prose are presented: how to design intrigue, characters and environmental descriptions; how to write dialogue and shape your text; how to establish and manage voice, language and style and Order Essay Online Cheap. The book also deals with the creative writing process, text conversations and response. The various parts are linked to solid advice, creative writing exercises and literary examples.

In Creative Writing, Granwald assumes three roles that she herself has many years of personal experience of: the writing student, the writing teacher and the author. The book is the first pure textbook in literary creation, written for Swedish education at universities and folk high schools, but it also works excellently as a handbook for aspiring writers outside the writing education system.


How I do it: The art of writing by Bodil Malmsten

You write, you have the desire and longing to write for real, you want to. But how to do it? This book is a textbook, a handbook of experiences, tools, implements, advice, tips, examples, good examples and deterrents.

Bodil Malmsten has written a large number of books. In How I do: The art of writing she shares with her work process including the hell period that is included. She writes about how she arrives at the tone and structure. About the job of first graders. About why she would like to write about the introduction to her first novel and edit about the short story collection The Songs of the Underworld.

The book includes chapters on words, punctuation, proofreading, sitting correctly, reading to learn, dramaturgy. »Words, sentences, paragraphs, must never just be. A sign that a book is a real book is that nothing of what is written must have just happened. «

How it works

Here’s how it works: The art of writing is richly illustrated in colour and contains lots of practical advice for daily writing – whether you want to become a writer or just learn to write better.

With his novels, collections of poems and logbooks, BODIL MALMSTEN has become one of Sweden’s most beloved authors. In How I do: The art of writing, she shares her experiences from a life of writing.

In the best sense, Bodil Malmsten manages the legacy of Montaigne, his sceptical, self-critical, stoic and essayistic seeker, never overbearing, but always amazed at the state of affairs. A book to be happy and inspired by. «| TOMAS LARSSON, ÖSTERSUNDS-POSTEN

“What I do is full of good advice, tips from someone who has tried what does not work and what works.” | MARIA HAMBERG, DALADEMOKRATEN

»Few of today’s Swedish writers are better placed to give advice in the art of writing than Bodil Malmsten. Here’s how it works: The art of writing provides perspective, solid advice, and a generous insight into an author’s everyday life. A wise and insightful book. «| CRISTER ENANDER, THE MAGAZINE CULTURE

Captivate your readers, arouse excitement and touch in depth by several authors

Imprison Your Readers is a goldmine for novelists who want to write deeply touching scenes. Create subtitles, vary your design technique to the max, carve out unforgettable novel characters, learn what method writing is all about and much, much more. The book is full of smart technology tips, checklists and concrete examples. But to touch is of course not only about pure writing technique, but also about being authentic in their messages. In addition, it is important to understand how our brains work when we read and what makes us react. Captivate your readers is the book for anyone who aims to create leaf turners that feel in the stomach. A number of writers and screenwriters contribute as guest writers.

Working with contrasts

Borrowing tricks from the world of theatre

Get inspiration in the idea bank for excitement

Take part in success factors for writers

Get it to strike sparks between the novel characters

Build a close atmosphere

Learn to close perspectives, to integrate telling details, to write unbearably hot scenes and to use humour to throw the reader between emotions. All with a focus on touching.

Catrine Tollström works as a script developer. She has a university degree in cultural and behavioural science and is a certified lecturer. As a thriller writer, Catrine is published in the Scandinavian countries.


 Writer’s book by Siewert Carlsson

This is the seventh edition of the popular writer’s book. It is a revised edition of the book. Printer book is a textbook and handbook and inspiration book for all printers. The book has now been published in a seventh, revised edition. Writing book is used in many writing lines at folk high schools, in other writing courses and is understood by many who write and want to develop their writing in prose, poetry and journalism on their own. The book contains descriptive text about different genres of writing, different styles and isms in the field of fiction. Many writing tasks and tips for printers.

Not least, it is a solid source of knowledge because here you get all literary grips and concepts explained, with examples. Excerpt from Library Service review of Skriva Bok, the sixth edition from 2013: Carlsson writes straight to the point and serves up his knowledge of the craft of writing with relevant facts and easy literary science terminology, which makes the handbook not only a writer’s guide but also an introduction to basic literary science and literary history. A good handbook for anyone who wants to develop their writing and learn more about the world of literature. It is also extremely suitable as a handbook for different types of printer training. Jonas Herdin, Library Service



 Writing a children’s book by Annika J. Nasiell

Children are worthy of well-written and artistic books, just as adults are worthy of adult books. But good books for children and young people must be written by people who understand them.

The idea of ​​this book is that it should be concrete and give you tools on how to write for children. Here are chapters on how a story is structured. The cornerstones of the story, the dramatic curve, design, character gallery, editing, publishing and more. And the book contains many exercises. To become a good writer requires huge amounts of practice the more you write, the better you will be.

My hope is that the book will inspire great deeds and help you avoid the worst pitfalls.

From the content:

PrefaceThe difference between children’s and adult books What kind of book? The book’s theme What can a children’s book contain? The dramatic curve Your idea Action line and synopsis Start and end I-stories Tempus Environmental description Dressed animals Publishing Writing tips

»What should a good children’s book be like? If you have any questions, I can only answer after much deliberation: It should be good. «Astrid Lindgren


Writing begins here: version 2.0 of Maria Küchen

The handbook Writing begins here by Maria Küchen (formerly Gummesson) contains concrete practical tips that really develop writing, the experts’ introductions to the worlds of writing and conversations with professionally active writing people. Here, writers, publishers, journalists, literary critics, magazine editors, teachers of writing courses and copywriters generously share their knowledge and thoughts. Nowhere else is such a rich, dense and comprehensive picture of the conditions of writing delivered today, practically and in general. But this is more than a handbook; it is interesting for all readers and writing.

Who does not want to know which songs John Ajvide Lindqvist peppers with before a working day? Or exactly why Jan Arnald created Arne Dahl and the A-group?  how much research may be required for nine meagre pages in a novel by Carl-Johan Vallgren? Or read thoughts and tips from the hottest new actors on the literary, dramatic and journalistic scene such as Martina Lowden, Katrine Kielos, Jens Assur, Sara Stridsberg, Pietro Maglio and Pernilla Ahlsén? The book was first published in 1997. It received rave reviews and became much appreciated, among other things, at writing courses and in schools. As it is still in demand, a heavily updated new edition is now coming.


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